![]() The story of Thin Lizzy's classic Live And Dangerous album is told in the new issue of Classic Rock, which is out now. I guess he was right about that arrangement… though my way would have been just as cool.” NOTE: Rocksmith® 2014 game disc is required for play. It’s a song that taps into the idea that everyone has of Phil – this romantic, cocky character – and it’s come to be a definitive Lizzy song. Play 'Dancing in the Moonlight' by Thin Lizzy on any electric guitar. “The first time we played it you could see everyone singing along, so we knew it had connected. Buy Thin Lizzy - Dancing in the Moonlight Xbox Thin Lizzy - Dancing in the Moonlight Ubisoft Music Requires a game TEEN Mild Fantasy Violence, Mild Lyrics Online Music Not Rated This content requires a game (sold separately). “It’s definitely one of our coolest songs,” says Gorham. It would become a high point of the band’s live set, immortalised the following year on the magnificent Live And Dangerous album, and remains central to the Thin Lizzy live experience almost four decades on. “Thankfully they absolutely loved it.”Ī Top 20 hit in the UK, Dancing In The Moonlight helped propel its parent album to No.4 in the UK (their highest placing to date) and put them back in the US Top 40. ![]() Given that Lizzy had had their first UK Top 10 single Whiskey In The Jar three years earlier, and had just finished recording their soon-to-be-released seventh studio album Johnny The Fox, the. In September 1976, Thin Lizzy’s Phil Lynott and Scott Gorham attended Melody Maker ’s annual Readers’ Poll ceremony in order to accept the magazine’s Best Newcomer award. “It seemed like a big gamble, and we did wonder what the fans were going to think, because it was way different from anything else that we’d brought out,” says Gorham. How Thin Lizzy took a Phil Lynott bass riff and a gamble to make their 1977 hit Dancing In The Moonlight. The producer’s stroke of genius was to bring in Supertramp saxophonist John Helliwell to provide the irresistible melodic counterpoint to Lynott’s breezy vocal.ĭropped into radio playlists at the height of punk rock in the summer of ’77, (as a double A-side seven inch backed with the album’s title track), Dancing In The Moonlight carried a twinkling sense of nostalgia, playfulness and innocence gleefully out of step with the times. I said: ‘Okay, I’ll go with your way, you’ve been right in the past.’”ĭespite initial concerns about working without his long-time foil Robertson, Gorham adapted quickly and thrived, his West Coast harmonic sensibilities bringing a lightness of touch to Lynott’s new composition, adding colour and shade without ever threatening to overpower the central bass riff. But he was pretty adamant that the way he was presenting it was the most commercial approach. I like that.’ I had another groove in my head that was different than the way he was presenting it – mine was tougher, whereas his was more ‘skippy’. “Phil said: ‘I’ve got this kinda groove… What do you think?’” says Gorham. “And by the way, that’s the single – Dancing In The Moonlight.”Ī jazzy, swinging, finger-snapping tale of teenage romance on the streets of South Dublin, the centrepiece of what became the Bad Reputation album was initially presented to Scott Gorham and drummer Brian Downey as just a simple bass line, Gorham recalls. “It’s a great record, it’s fantastic,” said O’Donnell. The manager duly flew to Toronto to salvage the situation and to convince all involved that they were working on something special. It does not store any personal data.One week into the recording, it appeared that Lizzy might not just be down a guitar player, but also a producer, when Visconti threatened to leave the session, telling O’Donnell: “I can’t work with these guys. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". ![]() The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". ![]() These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Pink Floyd – Dark Side Of The Moon (1973). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |